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The Committee creates, supports, and actively participates in programs to advance women in the arts and arts education.

Women to Watch

A biennial exhibition program developed specifically for the National Museum of Women in the Arts’ national and international outreach committees, designed to increase the visibility of, and critical response to, promising women artists who are deserving of national and international attention.

An outstanding Massachusetts curator, approved by NMWA, nominates a short list of artists working within the chosen medium. NMWA’s curator selects a single artist from these nominees for the Women to Watch exhibition in Washington.
 

The Massachusetts Committee was represented by artist Daniela Rivera and nominating curator Lisa Tung at the April 2024 opening of the New Worlds exhibit in Washington, DC.


Learn more about Women to Watch

Community Profile


MA-NMWA Advisory Council Member
Arlette Kayafas

Establishing Gallery Kayafas in 2003 was the culmination of years of reflection and aspiration for Arlette Kayafas. A woman who came to appreciate the power of visual art as she navigated high school (where she met her husband, renowned photograph printer and collector Gus Kayafas) and college, she at first found herself in a supporting role. She was a "student wife," she says, to Gus as he studied at MIT with photographer-educators Minor White and Harold "Doc" Edgerton. When their children were young, Arlette was active in community programs and local schools, where her leadership talent emerged.

After Edgerton passed away in 1990, Arlette transferred his library and personal objects to MIT; she then cared for his wife. Arlette recalls that this latter experience led to a rewarding career as companion to elderly women in assisted living--educated women who, she says, welcomed her into their intellectual circle as an equal and prompted her to consider her own future. "When my last client died," she says, "I wanted to make something open, not ending. Something lasting." That, for Arlette, would have to have something to do with art.

By this time she and Gus had amassed a powerful collection of some 12,000 carefully curated photographs. There was nothing to do but find ways to show and perhaps sell them, and to offer other artists a venue unlike any other in Boston at the time. And so Arlette founded Gallery Kayafas.

Within a few years Arlette began to integrate the work of other visual artists as well. This change was marked by her increasing confidence that she had “…something to say … not just photography. I have only shown work that I want to own … that prompts interesting conversations.” Speaking of her interest in “strong voices” of women and others, she notes that when she shows certain artists her goal is that “I might change how you thought … [the work] makes you aware of what it’s like to be transgendered, to be from an immigrant family …  your life [becomes] broader, brighter.” This spirit connected Arlette to MA-NMWA, working with the organization since 2008 and supporting the Women to Watch program.

Arlette retires at the end of Summer 2024, much to the chagrin of the many members of the creative community with which she has connected. Asked to advise visual artists eager to gain an audience for their work, Arlette offers: “There are so many wonderful artists to support. You have to pay your dues. Visit galleries. Introduce yourself to the staff and owner. Talk to them. Listen to them. Read about them and about the artists they represent. And keep in touch with them.”

MA-NMWA extends its heartfelt thanks and very best wishes to Arlette and Gus. We are fortunate indeed that she has agreed to remain a member of the Advisory Council, and we look forward to a continued active partnership in whatever she chooses to do next. 

Artward Bound

MA-NMWA partners with Artward Bound, the nation's first four-year, arts-centric college prep program, to offer high school students unique programs inspired by local events.

In August 2022 a class of freshmen, sophomores and juniors participated in a workshop on Surrealism concepts and techniques inspired by the then-forthcoming "New Worlds" Women to Watch exhibit at Gallery Kayafas (October 2022). Imagined and led by visual artist, educator and Committee member Silvina Ibanez, the workshop afforded students the opportunity to create a "new world" as a community, and later to visit the exhibit together.

This program was made possible with support from Boston Cultural Council and Reopen Creative Boston grants.

10/30 Campaign

To mark its 10th anniversary in 2016, and the 30th anniversary of National Museum of Women in the Arts (NMWA) in 2017, MA-NMWA acquired an artwork to be given to the museum's permanent collection.

Curators at NMWA selected Ambreen Butt, a past Massachusetts Women to Watch artist. Ambreen’s unique artistic practice, and her multicultural and politically aware point of view, makes her painting “The Great Hunt 1” a significant addition to the permanent collection of the National Museum.

Stay tuned for information about the planned 20/40 Campaign--coming soon!

Ambreen Butt's "The Great Hunt 1 (from the series "Dirty Pretty"), Lee Stalsworth/Ambreen Butt, Gift of Massachusetts State Committee  of the National Museum of Women in the Arts

Learn more about "The Great Hunt 1" and Ambreen Butt

Sponsored Tickets

MA-NMWA provides tickets for students based in Massachusetts to attend selected MA-NMWA events free of charge with member registration.

Partnerships and Collaborations

The Massachusetts Committee has sought out alliances with other cultural entities that work with us to support and promote the work of women artists. The list below includes many of these alliances.

Abigail Ogilvy Gallery*
Addison Gallery of American Art*
Krakow Witkin Gallery*
City of Boston Mayor's Office of Arts and Culture
Boston Ballet*
Boston College McMullen Museum of Art*
Boston Cultural Council
Boston Society of Architects, Women in Design*
Boston Symphony Orchestra
Cape Ann Museum*
Cape Cod Museum of Art*
Childs Gallery*
Concord Museum*
Dana-Farber Cancer Institute Art Collection*
Danforth Art Museum*
Davis Museum at Wellesley College*
deCordova Sculpture Park and Museum*
DeDee Shattuck Gallery*
Fitchburg Art Museum*
Friends of the Public Garden*
Fruitlands Museum*
Fuller Craft Museum*
Gallery Kayafas*
Griffin Museum of Photography
Harvard Art Museums*
Harvard Business School
Huntington Theatre Company*
ICA Watershed*
Institute of Contemporary Art, Boston*
Isabella Stewart Gardner Museum*
Mass Cultural Council
MassArt Art Museum*
Bakalar & Paine Galleries at MassArt*
MIT Media Lab*
MIT Museum*
Montserrat College of Art*
Museum of Fine Arts, Boston*
National Heritage Museum*
New Bedford Art Museum*
New England Watercolor Society*
Nichols House Museum*
North Bennet Street School*
Northeastern University*
Now + There*
Orchard House*
Peabody Essex Museum*
Praise Shadows Art Gallery*
Rose Art Museum, Brandeis University*
Rose Kennedy Greenway Conservancy*
Schlesinger Library, Harvard Radcliffe Institute*
School of the Museum of Fine Arts at Tufts University*
Trustman Art Gallery, Simmons University*
Skinner, Inc.*
Smith College Art Museum*
Society for the Preservation of New England Antiquities*
Society of Arts + Crafts Boston*
Tufts University Art Gallery*
Vose Galleries*
Worcester Museum of Art*


*Indicates a venue where MA-NMWA has held events

Of Special Interest

Massachusetts

Steina: Playback
Oct 26, 2024 -- Jan 12, 2025
MIT List Visual Arts Center, Cambridge, MA

The first solo exhibition in over a decade of Steina, the pathbreaking media artist whose work traverses video, performance, and installation. 

Tau Lewis: Spirit Level
Aug 29, 2024 -- Jan 20, 2025
Institute of Contemporary Art, Boston, MA

Lewis's work, labor-intense and handmade, employs sewing, weaving, casting, collage, assemblage and carving to conjure a kind of rebirth of past lives for the wayward bits and pieces she collects, and a reconfiguring of diasporic "Black geographies," in her words, that she, as Caribbean-Canadian, inhabits herself.

Georgia O'Keefe and Henry Moore

Oct 13, 2024 -- Jan 20, 2025
Museum of Fine Arts, Boston, MA

The first exhibition of its kind to the first to bring these two artists into conversation, using compelling visual juxtapositions to explore their common ways of seeing.  More than 150 works
including paintings, sculptures, and works on paper, as well as faithful recreations of each artist’s studio containing their tools and found objects. 

Ileana Doble Hernandez: My Dear Americans, It's Not Enough
Oct 12, 2024 -- Jan 26, 2025
Danforth Art Museum, Framingham, MA

Drawing on her experience as an immigrant and a mother, Doble Hernandez's multidisciplinary work cultivates awareness by speaking directly to the viewer, confronting difficult issues such as gun violence and immigration.

Augustina Woodgate: Ballroom
Aug 3, 2024 -- Feb 23, 2025
Peabody Essex Museum, Salem, MA

Installed with a group of historical navigation instruments drawn from the museum's collection, Ballroom invites visitors to interact with and navigate through a field of geographic globes on the gallery floor--each sanded to erase nations and human-made boundaries.
Is this opacity a utopian gesture in recognition of our common humanity? Or is it a dystopian premonition of the world being destroyed by human greed and human-made catastrophes?

Fabiola Jean-Louis: Waters of the Abyss

Opens Feb 27, 2025 -- May 25, 2025
Isabella Stewart Gardner Museum, Boston, MA

Multi-disciplinary Fabiola Jean-Louis’s captivating exhibition at the Isabella Stewart Gardner Museum invites visitors on a journey through the ancient and eternal, earthly and divine, personal and political.
Invoking the sanctity of Vodou and its role in Haitian liberation, these works will transform the Museum’s exhibition spaces into a map of personal histories, a site of communion, and a spiritual portal.

Susan Philipsz: If I With You Would Go
June 19, 2024 -- June 29, 2025
Peabody Essex Museum, Salem, MA

Philipsz uses sound, song, and site to heighten awareness of space, emotion, and memory as she signs eight different versions of the traditional ballad "James Harris," also called "The Daemon Lover." Her choice of song, that of a young woman lured away to sea, might be understood as a mythical and cautionary echo of the mercantile and maritime history embodied in PEM's historic East India Marine Hall.

June Leaf: Shooting from the Heart
Opens Mar 15, 2025 -- July 21, 2025
Addison Gallery of American Art, Andover, MA

Leaf’s enchanting and provocative sculptures, both kinetic and stationary, paintings, and works on paper will be intermingled and placed in dynamic conversations across media, revealing the artist’s sustained engagement with such motifs and themes as theater and performance, the human drama, dance, gender, motion, urban life, mythology, and interpersonal relationships.

New England

Peggy Bacon: Biting, Never Bitter
June 14, 2024 -- Feb 2, 2025
Portland Museum of Art, Portland, ME

A solo presentation of Peggy Bacon’s wry observations of her social, professional, and artistic networks during the 1920s and 1930s. Featuring more than 60 prints, drawings, paintings, and pastels, the exhibit is a testament to her enduring influence on the artistic landscapes in Maine, New York, and beyond.

Tara Sellios: Ask Now the Beasts
Opens Jan 18, 2025
Fitchburg Art Museum, Fitchburg, MA

Monumental photographs depicting still
life vignettes from organic materials (e.g., animal bones, insect specimens, and dried flowers) that consider the cyclical nature of Earth, intertwining symbols of death and references to life with the beauty of decay.


New at NMWA

Suchitra Mattai: Myth from Matter
Sept 20, 2024 -- Jan 12, 2025

Drawing on her Indo-Caribbean roots, multidisciplinary artist Suchitra Mattai combines richly colored textiles, found objects, beads, and more to weave together personal narratives, collective mythologies, and colonial history. Her two- and three-dimensional works offer a reimagined vision of the past that centers the perspectives of women and people of color, especially those from South Asia.

In Focus: Artists at Work
Oct 21, 2023 -- Mar 30, 2025

Short documentary-style videos provide a close look into the practices and perspectives of eight contemporary collection artists: Ambreen Butt, Sonya Clark, Colette Fu, the Guerrilla Girls, Graciela Iturbide, Delita Martin, Rania Matar, and Alison Saar.

The installation's intimate and immersive design sparks curiosity, inspires advocacy, and encourages slow looking during visitors' exploration of the museum.


View the full calendar of NMWA programs 


Farther Afield

Gabriele Munter:
The Great Expressionist Woman Painter

Through Feb 9, 2025
Museo Nacional Thyssen-Bornemisza, Madrid, Spain

A sweeping retrospective of Munter's paintings, drawings, prints and photographs, including a work from NMWA's collection, revealing her artistic eomplexity and rebellion

Yoko Ono: Music of the Mind
Through March 16, 2025
Kunstsammlung Nordrhein-Westfalen,
Dusseldorf, Germany

More than 200 of Ono's instructions and scores, installations, films, music and photography reveal her radical approach to language, art and participation.

Sonia Boyce: Feeling Her Way
Sept 19, 2024 -- April 6, 2025
Art Gallery of Ontario, Toronto, CA

Boyce combines video, collage, music and sculpture in a playful, thought-provoking installation that features the vocal performances of four Black women musicians.






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